Luke Slater / PAS / L.B. Dub Corp / The 7th Plain

Artist:
L.B. Dub Corp

Title:
Take It Down (In Dub)

Label:
Ostgut Ton

Cat#:
O-TON 39

Release Date:
2nd August 2010

Format:
12inch & digital

Tracklist:
01.
Take It Down (In Dub)

02.
It’s What You Feel

Press Info:
After only a handful of productions and remixes under the illusive moniker, British techno pioneer Luke Slater’s ‘L.B. Dub Corp’ arrives on Ostgut Ton in its latest electronic mutation. ‘Take It Down (In Dub)’ is a fiery, extended experiment in dub textures. With powerfully reduced club energy at its core, Slater takes his time in heating up his tight and dynamic onset of sound, slowly unleashing a heavy twisted funnel of steam and metal that resounds throughout. Seemingly lighter in its approach, ‘It’s What You Feel’ strikes a melodic note early on and sustains it with artful presence and classic house vibes. This rare L.B. Dub Corp appearance allows us the chance to enjoy the gracious, esoteric and entrancing end of Luke Slater’s creative spectrum.

Listen:

Video:

Buy Vinyl:
Hardwax
deejay.de
more links soon

Buy Digital:
Ostgut Ton Shop
Hardwax
JunoDownload
Beatport Classic
TraxSource
more links soon

Booking:
Octopus Agents

Websites:
Luke Slater
Ostgut Ton

Artist:
Planetary Assault Systems

Title:
Remixes

Label:
Ostgut Ton

Cat#:
O-TON 31

Release Date:
23rd November 2009

Format:
12″, download & streaming

Tracklist:
01.
X Speaks To X
(Al Tourettes & Appleblim Remix)

02.
Hold It
(Deuce Remix)

Info :
Following the Planetary Assault Systems long player (Oton CD09 ), the most recent ouput from veteran electronic music figurehead Luke Slater’s most prominent alias, we continue the exploration into the outer limits with remixes by Al Tourettes & Appleblim, and Deuce.

Perveyors of the UK Dubstep / Techno hybrid, Bristol’s Al Tourettes and Appleblim contort and re-form „X Speaks To X“ into a devious, hot-footed celebration of dark and intense broken-beat electronics. Tight, tensile and direct, the pair intwine suggestions of melody, thick synth patterns and shuddering sub-sonic bass lines around the heavy, morphing groove.

Deuce turn in their relentless yet smoothly rounded version of „Hold It“ by building upon the same foundations that shaped their bass-heavy, purist debut on the label. Droning and phasing to the point of hypnosis, this reduced and pumping tool sums up the energy that drives both Shed and Dettmann during their appearances at Berghain. Honouring the original for its insight and clout, Deuce let the bass energy flow in abundace as their instictive arrangement unfolds.

Snippets: