[Special]: C3 Festival in Berlin, Essen and Gdansk [23rd November – 3rd December]

 

Event series:
C3 Festival

 

BERLIN

Date & Time:
23rd November 2011, 8pm (doors)

Location:
Berghain

Line-up:
Pierre Jodlowski
Arandel

Date & Time:
24th November 2011, 8pm (doors)

Location:
Berghain

Line-up:
Jacaszek & Silva Rerum
Kwartludium & Sebastian Meissner

Date & Time:
25th November 2011, 7pm (doors)

Location:
Radialsystem

Line-up:
Trio ESJ
Julian Elvira & Jesus Navarro

Date & Time:
26th November 2011, 7pm (doors)

Location:
Radialsystem

Line-up:
Kai Schumacher
Victoire

 

 

ESSEN

Date & Time:
24th November 2011, 6pm (doors)

Location:
Areal C [Kokerei], Mischanlage [C70] @ Welterbe Zollverein

Line-up:
Kai Schumacher
Pierre Jodlowski

Date & Time:
25th November 2011, 7pm (doors)

Location:
Areal C [Kokerei], Salzlager [C88] @ Welterbe Zollverein

Line-up:
Victoire
Brandt Brauer Frick Ensemble

Date & Time:
26th November 2011, 7pm (doors)

Location:
Areal C [Kokerei], Salzlager [C88] @ Welterbe Zollverein

Line-up:
Jacaszek & Silva Rerum
Francesco Tristano

 

 

GDANSK

Date & Time:
1st December 2011, 6:30pm (doors)

Location:
St. John’s Center

Line-up:
Jacaszek & Silva Rerum

Date & Time:
2nd December 2011, 6:30pm (doors)

Location:
St. John’s Center

Line-up:
Nemezis (Pawel Mykietyn)
Kai Schumacher
Zeitkratzer

Date & Time:
3rd December, 6:30pm (doors)

Location:
St. John’s Center

Line-up:
Moritz Eggert & Shraeng
Kwartludium & Sebastian Meissner
Hauschka

 

Info:
Classical, “serious” music has been paired by composers with popular material throughout the history of Western music, pushing forward the development of the art form. Examples can be found as early as the Renaissance, where masses were based on the popular tune “L’homme armé”. Modern composers such as Bartók, Janácek, Ligeti and Stravinsky drew inspiration from folk songs or jazz. This tradition continues today with composers drawing inspiration from the sounds resonating in clubs or streaming from electronic music websites. In the work of these composers, the often separate spheres of contemporary classical and electronic club music meld together, creating new musical terrain (“classical” defined as the Western art music tradition, “electronic club” as a general term for a broad spectrum ranging from highly structured – e.g. techno – to atmospheric and free form – e.g. ambient).

Highly successful event series exist where classical music of all eras is played in clubs. But such events often have little to do with current musical developments. Instead, classical and club stand side-by-side, their contact superficial and skin-deep, instead of embracing each other in fertile creative exchange, bringing new art to life. Precisely this new art, born of creative exchange, is what the Club Contemporary Classical Festival is all about: C3 presents new music which falls into the grey zone between the genres of contemporary classical and electronic music. This grey zone is currently an area of extreme creativity and innovation due to the democratization of technology as well as the prevalence and influence of electronic music. C3 offers a showcase platform for this activity, building access bridges between these realms of sound, inviting the audiences in both camps to cross over to the other side and discover.

New interpretations of old structures using modern methods: C3’s festival locations and its musical content share this theme. Post-industrial (Berghain, Radialsystem, Zeche Zollverein) and a former church (St. John’s Center), all are symbolic of the investigation of new possibilities in hitherto undefined terrain. The new musical trend featured in C3 is also as yet undefined. As Kai Müller in Berlin’s leading daily newspaper, the “Tagesspiegel”, and in one of Germany’s most respected weeklies, the “Zeit Online” commented (7 Sept. 2009): “The music of the future is arising in the space between Philharmonic Hall and the Berghain Club: Berlin’s C3 Festival shows the ways in which pop avant-garde and classical music are approaching one another…it’s the music of the future. It hasn’t even yet been named. But the fact that it will one day be in a position to explain the present to us, of that there is no doubt.”

Websites:
C3 Festival

2nd December 2011: Other Heights X Field Records Showcase @ Arenaclub, Berlin

 

Event:
Other Heights X Field Records Showcase

Dates & Time:
2nd December 2011 at 11.59pm

Line-up:
Conforce
Kowton
Oracy aka Don Williams
Jakob Altmann

Location:
Arenaclub, Berlin (Germany)

Entrance fee:
10 Euros

Info:
Field Records and Other Heights join forces with the Grounded Theory camp and present a delightful program at the infamous Arena Club in Berlin on Friday December 2nd. The program consists of four prominent international artists – each known for their deep, abstract and authentic vision on contemporary electronic music.

The young Dutchman, Conforce, has been releasing on both Field Records, Other Heights and among other quality imprints such as Clone, Meanwhile and Rush Hour. Conforce manages to create a solid balance between techno depth and dancefloor accessability in his live performances. On this night we will celebrate the release of his upcoming full-length album ”Escapism” on Delsin and therefore, he will perform his high-principled live-set.

The Bristol-based artist Kowton perfectly blurs the lines between dubstep and techno. By dropping down the tempo of dubstep by a good 15 BPM and trying to integrate heavily swung rhythms and dubstep production tropes into a house and techno template, Kowton has managed to create a genuinely unique niche for himself.

Oracy [aka Don Williams] can be best described as one of the leading forces of Germany’s deep house and techno sound for the past ten years. The Berlin-based DJ/producer runs the highly acclaimed Mojuba, a.r.t.less, and Wandering imprints, which have all become staples in any house connoisseurs’ repertoire. Continuing his streak of near perfection, Oracy’s Detroit-inspired performances always aim for the highest possible quality.

Having dropped a few bomb releases on Other Heights and Statik Entertainment only recently, the German DJ/producer, Jakob Altmann, is one of the frontfighters of modern-day techno. Altmann will perform an exclusive DJ-set for us on this date.

@ Resident Advisor
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Listen:
Conforce

Kowton

Oracy

Jakob Altmann

Video for Conforce created by the29nov films.

Websites:
Grounded Theory
Other Heights
Field Records
Arena Club

out now: Planetary Assault Systems – Function 4 (Remixes Episode 1) [Mote-Evolver]

 

Artist:
Planetary Assault Systems

 

Title: 
Function 4 – Remixes Episode 1

 

Label: 
Mote-Evolver

 

Cat#: 
MOTE027

 

Release Date: 
28th November 2011

 

Format: 
vinyl, download & streaming

 

Tracklist:
01.
Function 4
(Marcel Dettmann Remix)

02.
Function 4
(Chris Liebing 2011 Rework)

03.
Function 4

 

Press Info:
Luke Slater’s coveted Planetary Assault Systems project continues its explorations into the outer limits with this first remixes package of the classic ‘Function 4’. Episode 1 features interpretations by two of Germany’s techno-leviathan’s; Marcel Dettmann and Chris Liebing.

Originally released through Peacefrog in 2000, the tracky, tripping metallic thump of ‘Function 4’ is a  great early example of Slater’s pioneering droning, mesmerising musings as P.A.S. With its chattering hi-hats, gated snares and humming kinetic energy, the original is included here in all its re-mastered glory.

Berghain resident Marcel Dettmann turns in an urgent and driving remix, led by a meandering synth theme that modulates teasingly as the track build. The distinctive voice sample is transformed as if played through a interplanetary P.A, and Dettmann uses expert restrain in introducing the stuttering percussion lines and static FX.

The much loved Chris Liebing delivers a nononsense mix that stays true to the original while enforcing a heavy four-to-the-floor pump throughout. Engineered to excite with its dirty beats, hissing punctuation and subtle builds, Liebing is on form with this heavily functional reshape. 

And a message from Luke: “Chris sent me over a version of Function 4 he did earlier in the year, which I really liked and have been playing out a lot. As it turned out Function 4 was an old school favourite among other artists. At the time it was quite different not being a straight 4/4 record, so it’s great to bring it out into the open in a way in 2011.”

 

Snippets:

 

Video:

Video created by the29nov films.

 

Related Release:
Planetary Assault Systems’ “Function 4 (Remixes Episode 2)”

 

Buy Vinyl:
Hardwax
Juno
decks.de
deejay.de
djshop.de
web-records.com
boomkat.com
Clone.nl
rushhour.nl
Red Eye Records
OYE Records
more soon

 

Buy Download:
Mote-Evolver @ Bandcamp
Qobuz
Bleep
Boomkat
TraxSource
iTunes
Beatport
JunoDownload
Hardwax
more soon

 

Commercial Streaming Services:
Qobuz
Spotify
Anghami
Deezer
Apple Music
Youtube Music

 

Booking:
Planetary Assault Systems

 

Websites:
Planetary Assault Systems
Mote-Evolver
Mote-Evolver (fanpage)