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With its 138 bpm, its progressive basslines and the energetic synthline in G minor, “Yes, No. Never Appropriate” transfers the listener to bygone days. The nostalgic-like track is covered in a modern and individual dress worthwhile to contemplate thanks to Wice’s modern interpretation of that time (which he himself was never allowed to witness). Regardless of being played at original speed, or located in slower or faster pitch-realms, one thing that is noticed immediately is that this track, which Wice himself considers a little homage to past and timeless Basic Channel publications, belongs on the dancefloor to let its dynamics shine in all its glory. So play it loud. Again and again!
Subsequently, “Anticipate Home” van be found, which the artist wrote during his tedious and energy-sapping time abroad (India). Precisely this process of waiting and the associated thrill of anticipation to come back home are reflected in this second track within dynamically fractured rhythms. They are accentuated by tiny and delicate sounds and melodies, which serve to fill groove gaps and put the listeners hypnotically in Wice’s emotional world at that time. You are also forced to persevere a little, just as the artist himself, before you are finally released after the break by the above mentioned harmonically drifting triads – you are finally, dancing with joy, returning back home and let yourself drift by the experiences made in reduced but nevertheless complex afterglow.
Following this “Untitled Sleepless” can be discovered. As it can be concluded from the title, the track rays out a certain exhaustion which is characterized by superficial and just tiptoeing kickdrums as well as the dreamy and melancholic carpet of synth and noise. The harmonic interaction of lead, whitenoises and bassline makes the listener descend in a sort of trance – a world between sleep and waking, actual perception and dream. This condition will temporarily come to an abrupt end. Semi-straight kickdrums and an organic snare tear out the listener of this imaginary world of shifted sense perceptions and briefly stimulate harmonic movements of the body to then finally be able to find peace.
The last piece on the first digital Steinlach-release is difficult to locate genre-specifically. With its more than 150 bpm, its halfbeat-clocked kickdrums, the rimshots reminding of Drum and Bass, the basslines offsetting one another and the entire polyrhythm of the track a dreamy and dynamic piece of music emerges, which casts a spell over its recipients and lets the float through time and space in a mythical manner. The warm pads extend this trip even further and are hard to locate in the here and now. The track is supposed to prompt one’s own imagination and to find oneself now on a snow-covered mountain and then on a wonderful dive underneath the surface of the water. Just drift and embark on your own journey!
Concerning this a little acknowledgement of the artist: “Thank you Samu, for your presence during the whole process of production of B2. The sense of calm and tranquility that you radiate and your whole character as a good friend have significantly contributed to the emergence and inspiration of this track. To many more years of friendship and flourishing and inspiring musical collaboration.”
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Voight-Kampff Records presents the 4th addition to its catalogue as Berlin based artist AM.MA brings you 3 original tracks along with 3 remixes by IN/JXRX, ErrorDrive and Thrae. The EP itself features industrial sounds combining textural synths with the almost mechanical sounding booming percussion. These sound are further enhanced within the remixes which take the frantically melodic original tracks and round off the EP with to form a well rounded, dancefloor destroying masterpiece.
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MEAT Recordings presents the long playing soundtrack for the critically acclaimed Austrian feature film NEVRLAND by Gregor Schmiedinger. It features tunes by Electric Indigo, Matt Mor, Specific Objects and Gerald VDH. All music was carefully curated and selected by Gerald VDH. While most of the tracks where tailor made to work in the various scenes of the picture the artists also kept an eye on the dancefloor and turned the pieces into fully fledged club tracks to be featured on this eight tracker. Just like the movie itself, the soundtrack is a psychological, dark and twisted journey that will leave any audience openmouthed. The Vinyl comes as a double 12 inch in a stunning gatefold cover.
Listen:
Full Track Streaming:
Specific Objects – “Elevate”
more soon
Specials:
Specific Objects – “On The 5th Day Podcast #092”
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Warok Music’s vinyl series started with dimensions doors EP, a heady, deep dive into techno’s more psychedelic spaces. True to form, dimensions doors kicks off with the rolling kicks of Portal Opening, a trippy exploration of shifting ambiences and rhythmic noise, punctuated by a siren tone. AWB steps up with a broken beat remix of Portal Opening, layering Clotur’s ambiences over low-slung percussion. Hyper space travel brings up the energy with galloping kicks and rippling resonant synths. BLNDR follows up with a pounding remix, building Clotur’s sweeping textures into trippy loops circling over a monolothic kick. Irregular Frequencies pulls even further into the portal, with a relentless, rubbery synth squelching along over driving, percussion. Clotur lays a gentle, but uneasy atmosphere over this trippy tool. He brings us back down with Forbidden Level, another complex rhythmic track featuring glitchy percussions and robotic warping over a tough low-end workout.