Press Info:
Routine is presenting the experimental EP Poetry by a Moscow-based artist Raciya Bağdad. The idea of calling the EP like that was born after listening to the essay of a Russian poet Maximilian Potyomkin, in which the author was speaking about the destination of a poet and poetry. The main feature of the EP is placing some poetic text into sophisticated electronic environment. As a result, the musician has created a multi-faceted conceptual work with diverse stylistics.
Tracklist: 01. D.S.M. / Moldavia (Live In The USA 91)
02. Rhythm Of Time (Live In The USA 91)
03. Masterhit (Live In The USA 91)
04. Soul Manager (Live In The USA 91)
05. The Untold (Live In The USA 91)
06. Until Death (Us Do Part) (Live In The USA 91)
07. Im Rhythmus Bleiben (Live In The USA 91)
08. Slo-Mo (Live In The USA 91)
09. Don’t Crash (Live In The USA 91)
10. Never Stop (Live In The USA 91)
11. Headhunter (Live In The USA 91)
12. Tragedy For You (Live In The USA 91)
13. Welcome To Paradise (Live In The USA 91)
14. Punish Your Machine / Neurobashing (Live In The USA 91)
Press Info:
Since the early 80’s, FRONT 242’s ever-growing fanbase has always proven to be the 5th member of the band. A unique communion and interactive relationship between fan and artist that has grown and matured over the course of 4 decades.
Because of the COVID-19 pandemic, we all missed the numerous FRONT 242 concerts planned in 2020. Well, now we let the FRONT 242 live shows come to you – anytime anywhere…
The 1991 “Tyranny For ” tour has never before been the subject of any official live release. However, this tour was one of the most spectacular in terms of scenery and its exceptional track listing.
Remastered from personal recordings, we are presenting the best versions of these live tracks and some rare gems.
We suggest that you all get back into the atmosphere and the excitement of these intense moments spent live in concert with FRONT 242 for some of you, or to simply discover an exciting period of the Belgian pioneers of electronic music – for others.
With this “91” release, we hope that these live recordings will bring you a little closer to better days when we’ll all come together again!
All these live recordings were mixed from tape and assembled by Thierry Herremans (Hills Music) and mastered by Daniel B.
Snippets:
Special:
Richard 23 (Front 242) – “In The Mix #3 Part 1”
Press Info:
Sunroof [Daniel Miller and Gareth Jones] have announced, after four decades of friendship and collaboration, the release of their debut album. Electronic Music Improvisations Volume 1, a collection of eight improvised modular pieces recorded as live in various studio spaces across London in the spring and summer of 2019, will be released on the newly revived Parallel Series of Mute on 21 May 2021.
Daniel Miller (founder of Mute, the “accidental label” that began with the release of his own 7” single The Normal’s T.V.O.D / Warm Leatherette) met Gareth Jones, (the innovative and influential producer, engineer and artist) back when Miller asked Jones to work with him in late 1982 on what became Depeche Mode’s Construction Time Again. After the band had gone home for the day, they would stay on to work on their own sessions, a practise that continued and, by the mid-nineties Sunroof had emerged as remix project, reworking the likes of Can, MGMT, To Rococo Rot, Kreidler and Goldfrapp, and appeared on a compilation paying tribute to Neu!.
Back in 2019, Miller and Jones were heading to a György Ligeti concert at the Barbican and beforehand – as they often do when together in the same city – the pair spent a couple of hours improvising with modular systems. Unusually, this time they decided to record the session and over a pre-concert meal, Gareth asked a question that seems logical after all these years: “Are we actually going to make a record together before we die?”
The following day, they set themselves some rules: “We decided to get together to do a bunch of improvisations,” explains Gareth. “We said we’d work in a number of different physical spaces but always together, in the same room. We were keen to do shorter pieces because we were both very inspired by Chris Carter and Martin Gore’s electronic music projects, where the pieces were very concise and compact.”
Key to their manifesto was a distinction between an improvisation and a jam session. “With modular systems, you can just go on and on forever and never actually complete anything. Sometimes that’s okay – part of the joy of a modular is that you can just keep going indefinitely. But with this we were keen to actually finish something, so setting that timeframe became a really important rule for us.” adds Daniel.
Nothing was pre-planned, they didn’t rehearse, and the pieces were recorded as live performances using a limited number of channels. What they accumulated during the course of those 2019 sessions was a suite of evolving, restless pieces, each one containing layers of pulsing, atmospheric sounds.
The pieces on Electronic Music Improvisations Volume 1 have a timelessness evoking the classic sound of some of the earliest electronic experiments. They also sound resolutely modern. Even for the two players, their individual contributions are no longer obvious to them, nor is it actually necessary to separate who did what – the whole journey is what’s important, not the individual twists, turns and tweaks that happened along the way.
The album possesses a spirit, energy and discipline of improvisation and in these pieces, you can hear the almost symbiotic connection that they share, and the new sonic pathways and different, unexplored ways of working opening up in front of them.
