out now: Kamikaze Space Programme – Dead Skin Cells [Osiris Music]

 

Artist:
Kamikaze Space Programme

 

Title:
Dead Skin Cells

 

Label:
Osiris Music

 

Cat#:
OSMUK056LP

 

Release Date:
June 2019

 

Format:
vinyl & digital

 

Tracklist:
A1.
Skin Cells

A2.
Sparks

B1.
Dust

B2.
Rain

C1.
Insomnia

C2.
Crumbs

D1.
Derelict

D2.
Grey Clouds

E1.
EF5

E2.
An Empty Sky

 

Press Info:
British-born, Berlin-based electronica producer Kamikaze Space Programme delivers his long-awaited debut album ‘Dead Skin Cells’ for Osiris Music. It’s the sound of eight years of the acclaimed project reaching its zenith, via releases on leading labels likes Mote-Evolver, WNCL Recordings and Mord, and through regular sets at the likes of Berghain and Tresor.

This bold new record mirrors decay of the physical world and the human form through its jarring sound palette and tense atmospheres. It’s a rebirth of sorts, with the title a reference to shedding skin — as KSP has done with his previous aliases. Combining his roots in jungle and dub (as Raiden and Dot Product) with the diverse textures of the contemporary techno
diaspora and his skills as a found sound magpie and foley artist, it makes for a riveting, deeply nuanced listen.

‘Skin Cells’ begins with distorted synth buzzes trading places with haunted, heavily processed samples and thundering kicks. ‘Sparks’ channels taut jungle breakbeats, pitched down to a more chugging tempo, while menacing D&B screeches buzz through the track. ‘Dust’ teases DMZ style dubstep tension, while ‘Rain’ shows his mastery of sound design and field recording in a stunning ambient interlude. ‘Insomnia’ reaches for glitchy digi dub in the vein of The Bug with some cinematic undertones, leading to the brutalist sonic architecture of ‘Crumbs’ with its crunching breaks and rasping tones.

‘Derelict’ is the album’s most direct nod to his junglist past, the ghosts of hardcore imbued through blasts of chainsaw bass, dissected breaks and haunting pads. ‘Grey Clouds’ bathes you in thick swathes of ethereal pads and plucked, incessant bass before ‘EF5’ delivers a militant glitch-heavy onslaught. ‘An Empty Sky’ closes the album in apocalyptic fashion, with crunching bass pressure juxtaposed with graceful, filmic chord progressions.

The result of all of this is an album that feels at once uniquely London while perfectly contemporary to the Berlin scene, and perhaps a none-more-perfect sonic encapsulation of the continuing reciprocal dialogue between the two cities. Most of all, it’s the sound of a sonic excavator hurtling towards the top of his game, in perfect control of every granual of sound therein.

A video is forthcoming to sit alongside the album, created by visual glitch artist, Geso, with the bold album artwork created by Downwards collaborator, Jan Grebenstein.

 

Listen:

 

Special:
“#SlamRadio – 263”

 

Recommendation:
KSP’s “End” EP on Vanta Series
KSP’s “Ballard” EP on Mote-Evolver
KSP’s “Concrete Musique” EP on Mote-Evolver

 

Buy Vinyl:
Deejay
Juno
more soon

 

Buy Digital:
Beatport Classic
more soon

 

Websites:
Kamikaze Space Programme
Osiris Music

 

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