Techno/House/Trance | NovaFuture Blog

out now: Border One – Throw EP [Ressort Imprint]

Artist:
Border One

Title:
Throw EP

Label:
Ressort Imprint

Cat#:
RSI008

Release Date:
April 2016 (vinyl)
a few months later (digital)

Format:
12″ & digital

Tracklist:
A1.
Throw

A2.
Throw
(Thomas Hessler Mix)

B1.
Morphosis

B2.
Tube

Press Info:
The last part of the dancer’s trilogy: With Border One’s ‘Throw’ Ressort Imprint closes it’s triplette on the definition of modern Techno’s different sound colours. And it’s getting more and more playful.

Border One might be a new name popping up here and there recently but the young Belgian DJ and producer is by no means a newbie to the scene. Knowing that it is no wonder that his debut on Ressort Imprint sounds very sophisticated and mature as his three original drafts show a very classical illustration about his passion for Techno music.

The title track ‘Throw’ starts of with a playful yet unobtrusive melody and shows the Ghent-based producer’s ability for shifting moods with very subtile yet effective measures. ‘Morphosis’, on the other hand, gives a real club momentum while ‘Tube’ is succeeding with topping itself bar by bar. All of this is rounded up by a big room take from one of our favourites, being Thomas Hessler.

It is save to say: We will hear a lot about Border One in the future.

Listen:

Specials:
Border One – “Claydrum Podcast 053”

Thomas Hessler – “NovaFuture Blog Mix February 2013”

Recommendations:
“The Hidden Documents” by Ekserd
The Plant Worker | Glos with “Four Cuts On Hurting”
Array Access’ “Variations EP”
Thomas Hessler’s “Perception EP” on IMF

Buy Vinyl:
Triple Vision
Deejay.de
decks.de
Juno
djshop.de
Hardwax
more soon

Buy Digital:
Ressort Imprint @ Bandcamp
JunoDownload
Beatport Classic
Google Play
iTunes
EMusic
DJTunes
more soon

Booking:
Border One

Websites:
Border One
Ressort Imprint

out now: Deepbass – Alto [Lanthan.Audio]

Artist:
Deepbass

Title:
Alto

Label:
Lanthan.Audio

Cat#:
LNTHN002

Release Date:
02nd November 2015

Format:
12″ & digital

Tracklist:
A1)
Alto

A2)
Alto
(Aegis Version)

B1)
Alto
(Reggy van Oers Version)

B2)
Alto
(Ness Version)

Press Info:
Lanthan Audio is back after their debut EP that featured Edit-Select now with their sophomore release from Deepbass, Scottish DJ, producer and label owner of Informa Records.

For this EP Deepbass delivers one original cut, ‘Alto’ which has been remixed by Aegis, Reggy van Oers and Ness. Uniform to the Deepbass style, ‘Alto’ is an ethereal atmospheric track with a punchy, rolling bass, which takes you on a voyage through the cosmos. Aegis, on the other hand, takes the tracks potent bassline and adds the aura of breakbeat to the elegant atmospheres.

On the flip side RVO adds a hypnotic energy to the track as the elements continue to build to the crowning point letting you down nice and smooth. For the final take Ness adds his own style as the punchy bass lingers he is still able to keep the mood serene and delicate. All in all a captivating way for each artist to express their own style on one EP.

Listen:

Special:
“Invite’s Choice Podcast 291 “

Recommendations:
Edit Select’s EP “Hi Line Extraction” on Lanthan.Audio

Buy Vinyl:
deejay.de
Red Eye Records
decks.de
Juno
Clone
OYE Records
Spacehall
HHV
Topic Drift
more soon

Buy Digital:
Lanthan.Audio @ Bandcamp

Booking:
Deepbass

Websites:
Deepbass
Lanthan.Audio

out now: Edit Select – Hi Line Extraction [Lanthan.Audio]

Artist:
Edit Select

Title:
Hi Line Extraction

Label:
Lanthan.Audio

Cat#:
LNTHN001

Release Date:
27th July 2015

Format:
12″ & digital

Tracklist:
A)
Hi Line Extraction

B1)
Hi Line Extraction
(Mike Parker Remix)

B2)
Hi Line Extraction
(Claudio PRC Remix)

Press Info:
Lanthan.audio, the newest label from Abstract’s Christian Gerlach, will release its debut EP as a special edition this July featuring an original mix from UK’s Edit Select and spotlights remixes from two hypnotic troopers, Claudio PRC and Mike Parker. Lanthan, literally, is a rare earth metal in addition to something hidden or evasive in terms of Greek mythology. By combining music with both architecture and photography the goal is to not lose sight of all three art forms. Born out of the desire to deliver a diverse package, the label will feature innovative, indestructible, and powerful remixes from some of his most respected producers.

Edit Select’s ‘Hi Line Extraction’ is an irresistibly fervent track with a throbbing bass, a savage synth and stomping hi-hats, driving and mysterious sending you into a reverie. Characteristic of Mike Parker’s technique, riffs with plenty of flange transform the track into a mesmerizing piece. Claudio PRC on the other hand gives the track a whole new orientation and mood by elongating some of the authentic and crucial elements from original into swirling atmospheric tempers. There will be a lot more to come for Lanthan.audio, with their debut EP featuring such compelling artists and resonant tracks this will be a label to watch in the coming months.

Listen:

Special:
“Reclaim Your City Podcast 100”

Recommendations:
Jeff Rushin’s “Decline Into EP” w/ Edit Select remix
Bas Mooy’s EP “Bleeds & Shanks” w/ Edit Select remix
Mike Parker’s EP “Spitting Electricity”

Buy Vinyl:
deejay.de
decks.de
Boomkat
RubaDub
more soon

Buy Digital:
Lanthan.Audio @ Bandcamp

Websites:
Edit Select
Lanthan.Audio

out now: I/Y – Termination EP [Fracture]

Artist:
I/Y

Title:
Termination EP

Label:
Fracture

Cat#:
Fracture004

Release Date:
November 2015

Format:
12″

Tracklist:
A1)
Termination

B1)
Termination
(Inigo Kennedy Remix)

B1)
Termination
(Headless Horseman Remix)

Press Info:
The past years have seen Yacoub Chakarji and Irakli Kiziria exploring vast range of different directions spanning from deeper tracks to more utilitarian music, but always with originality. This time the Berlin duo return on the label Fracture with a playfully mental cut that gets remix treatment from two of the most interesting techno artists in recent times. Termination hits a striking balance between functionality and an almost deviant quality. In the hands of Inigo Kennedy it becomes splendid
atmospheric techno, while Headless Horseman makes it more explosive and sinister for his first time on remix duty. Music for the more daring selectors out there.

Listen:

Video:
“Termination (Headless Horseman Remix)”

Video created by the29nov films.

Specials:
“NovaFuture Blog Mix March 2013”

Recommendations:
“0000.030” on Fracture
I/Y004
“Objection EP” on Dynamic Reflection

Buy Vinyl:
deejay.de
Juno
RedEyeRecords.co.uk
Chezemile Records
decks.de
Clone
OYE Records
Hardwax
more soon

Booking:
Pakt Booking

Websites:
I/Y
Fracture

out now: Sirio Gry J – Three Laws Of Robotics [Monolith Records]

Artist:
Sirio Gry J

Title:
Three Laws Of Robotics

Label:
Monolith Records

Cat#:
MRDG016

Release Date:
07th July 2015

Format:
digital

Tracklist:
01)
Law 1

02)
Law 2

03)
Law 3

04)
Law 1
(Kill Ref Remix)

Press Info:
The three laws of robotics stated in the “Handbook of Robotics, 56th Edition, 2058;

1. A robot may not injure a human being or, through inaction, allow a human being to come to harm.
2. A robot must obey the orders given it by human beings, except where such orders would conflict with the First Law.
3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Laws.

Asimov’s Laws of Robotics are willing to moderate the rising technology’s power, adopting a minimalistic common sense approach. By failing to respect one of the three laws, the “machine” fails to be, in any way, useful for a human being.

Note: The compulsive usage of technology even for the most basic acts, might lead humans to perceive it as “necessary” and a growing number of cases of pathological addiction to it might appear. Machines regulating portions of human lives, might create also new comfortable realities for the weakest, safe areas where humans can comfortably watch the world without where people can live some kind of “emulation” of emotions having the chance to be “users” with a customizable identity. If well modulated, Machines can provide to humans some congenial Emulations, therefore a good portion of the time spent by people on the usage of technology could involve the interaction with other “users”, finding an inconclusive engagement loop of the “person” with “users”. Such incompatibility between the Person and User, might bring people’s mind into harm, with depression for example due to the lack of real human contact. Nevertheless it would be only by the willing of men themselves, that Machines could create disease, as much as they could massacre tons of other humans in a war. Machines, could go far beyond the rhythm of humans’ psychological and biological needs, becoming deception by humans’ will. It is by this time that Machines could be fed by humans’ time and energies and keep growing their influence and relevance over their lives, improving the quality of tools, providing better Emulations in more Comfortable ways. By following the human will, Machines are going to adapt.

Listen: