out now: Marcel Dettmann – Dettmann [Ostgut Ton]

 

Artist:
Marcel Dettmann

 

Title:
Dettmann

 

Label:
Ostgut Ton

 

Cat#:
OSTGUTCD12 | OSTGUTLP05

 

Release Date:
26. April 2010

 

Format:
CD, 3xLP & digital

 

Tracklist:
01)
Quasi (Intro)

02)
Argon

03)
Screen

04)
Motive

05)
Drawing

06)
Reticle

07)
Irritant

08)
Captivate

09)
Silex

10)
Home

11)
Viscous

12)
Taris (Outro)

 

Info (English):
The name says it all. Dettmann is the debut long player of Berghain’s resident DJ, producer and remixer Marcel Dettmann – and what an album it is. Intrinsically tied to the myth that is Berghain by now, the attached label Ostgut Ton and at the same time with the regeneration of no-frill, cleansed and powerful electronic music, Marcel Dettmann managed a daring feat: the production of a truly absorbing and veritable techno album.

Framed by “Quasi” and “Taris” as intro respectively outro, Spread out over ten tracks, Dettmann transports the raw energy, the rough aesthetics and the simple grace of techno. A Berliner-by-choice, the difficult format doesn’t bog him down. Neither does he give in to exhausting finger exercises that try to supersede his learned trade, nor does he confront the listener with hasty or brutal tracks that would rather feel at home pressed on a 12-Inch in a DJ-case. Tracks like „Reticle“, „Drawing“, „Captivate“ or „Silex“ seem like the convergence of his striking efforts and discography up until now. On the one hand you have his straight up and independent outfit MDR, on the other hand there is his remix work (e.g. recent interpretations of Mikkel Metal, Fever Ray or Junior Boys) and last but not least it has to be in tune with his passion as a disc jockey.

You get contemplative moments with almost weightless layers of sound that get used like melodies or chords, rotating with condensed, intensified and sappy snatches. Rigour and austere beauty go hand in hand. Surprisingly enough, with a genre that aware of its own history, Dettmann never falls prey to the dangerous and seductive nature of nostalgia. The very special and beloved yearning for a good old time that is often at the side of producers who try not to grandstand. However, Dettmann sounds as fresh and self-contained as techno nowadays can be. And more so, it once and for all establishes its eponym as a genre mainstay.

And what about the man himself? What does Marcel Dettmann care for with an album? “I like music with a depth that I can feel. There is no formula for that. It could be a concept album or one that makes use of various styles.” However described or classified, his own is a successful meditation about the art form we call techno.

 

Info (German):
Nomen est omen. Dettmann ist das Debütalbum des gleichnamigen Berghain-Resident-DJs, Produzenten und Labelbetreibers – und was für eines.

Fest verbunden mit dem Mythos Berghain, der zugehörigen Labeladresse Ostgut Ton und der damit einhergehenden Regeneration schnörkelloser, entschlackter und kraftvoller elektronischer Musik, gelingt Marcel Dettmann mit seinem Erstling ein äußerst seltenes Kunststück: die Fertigung eines wahrhaftigen und fesselnden Technoalbums.

„Eingerahmt von „Quasi“ und „Taris“, transportiert Dettmann auf zehn Stücken erfrischend unverkrampft die rohe Energie und kühle Ästhetik von Techno. Der Berliner Produzent verzettelt sich in diesem bockigen Format weder in anstrengenden Fingerübungen, die über sein angestammtes Handwerk hinausweisen wollen, noch übergibt er dem Zuhörer ungestüme oder leichtfertige Tracks, die sich ausschließlich auf 12-Zoll und in DJ-Taschen heimisch fühlen würden. Stücke wie „Reticle“, „Drawing“, „Captivate“ oder „Silex“ wirken wie eine Konzentration seines bisherigen Schaffens und seiner beachtlichen Veröffentlichungsgeschichte. Da gibt es einerseits die eigene unabhängige und kompromisslosen Plattform MDR, andererseits seine Arbeit als Remixer (jüngst unter anderem für Mikkel Metal, Fever Ray oder die Junior Boys) und nicht zuletzt den Dialog mit seiner Funktion als Discjockey.

Kontemplative Momente, in denen scheinbar schwebende Soundschichten wie Melodien und Akkorden eingesetzt werden, wechseln sich ab mit verdichteten, komprimierten und markigen Augenblicken – ruppige Strenge folgt auf herbe Schönheit. Dabei fällt Dettmann erstaunlicherweise nie der gefährlichen und verführerischen Nostalgie anheim. Jener Sehnsucht nach alten Zeiten, die sich in den letzten Jahren oft als lähmende Geliebte an die Seite von Produzenten schlich, die sich nicht der Effekthascherei bedienen wollten. Dettmann hingegen klingt auf ganzer Länge so frisch und in sich geschlossen, wie Techno in diesen Tagen nur klingen kann und etabliert seinen Namensgeber endgültig als nicht mehr wegzudenkende und obligatorische Größe.

Und Dettmann selbst? Auf die Frage, was ihn persönlich an einem Album interessiert: „Ich mag Musik die Tiefe hat, bei der ich etwas empfinde. Dafür gibt es keine Formel. Das kann ein Konzept Album sein oder eines, das sich an verschiedenen Stilen bedient.“ Wie auch immer man nun sein eigenes klassifizieren mag, Marcel Dettmanns Meditation über den Zustand der Kunstform ist jedenfalls durch und durch gelungen.

 

Listen:

 

Buy:
Hardwax (vinyl)
Juno.co.uk (vinyl)
Juno.co.uk (CD)
Deejay.de (vinyl)
DJshop.de (vinyl)
Amazon GER (CD)
Amazon UK (CD)
Amazon US (CD)
zero-inch (digital)
Beatport (digital)
JunoDownload (digital)

 

Websites:
Marcel Dettmann
Ostgut Ton

 

upcoming OSTGUT TON records from Ben Klock, André Galluzzi, Shed …

Some facts and some rumours … According to DE:Bug magazine there will be some very nice releases on the Berghain label OSTGUT TON – including a mix cd by Ben Klock, a 12 inch by André Galluzzi and the second Ostgut album by Shed.

This year OSTGUT TON will celebrate its 5th anniversary. Some rumours say that there will be a compilation to dignify this event.

out now: Recoil – Selected [Mute Records]

 

Artist:
Recoil

 

Title:
Selected

 

Label:
Mute Records

 

Cat#:
MUTEL17

 

Release Date:
19. April 2010

 

Format:
CD, 2xCD, Vinyl, Deluxe box & digital

 

Tracklist:
CD1-01.
Strange Hours

CD1-02.
Faith Healer

CD1-03.
Jezebel

CD1-04.
Allelujah

CD1-05.
Want

CD1-06.
Red River Cargo

CD1-07.
Supreme

CD1-08.
Prey

CD1-09.
Drifting

CD1-10.
Luscious Apparatus

CD1-11.
The Killing Ground
(Excerpt)

CD1-12.
Shunt

CD1-13.
Edge To Life

CD1-14.
Last Breath

CD2-01.
Supreme
(True Romance)

CD2-02.
Prey
(Shotgun Mix)

CD2-03.
Drifting
(Poison Dub)

CD2-04.
Jezebel
(Filthy Dog Mix)

CD2-05.
Allelujah
(Noisy Church Mix)

CD2-06.
Stalker
(Punished Mix)

CD2-07.
The Killing Ground
(Solid State Mix)

CD2-08.
Black Box
(Excerpt)

CD2-09.
5000 Years
(A Romanian Elegy for Strings)

CD2-10.
Strange Hours
’10 (featuring The Black Ships)

CD2-11.
Missing Piece
(Night Dissolves)

CD2-12.
Shunt
(Pan Sonic Mix)

 

Press Info:
Recoil Selected, a brand new selection of classic Recoil tracks will be released on 19 April 2010. The track listing has been chosen by Alan Wilder who explains: “The collection is made up of my personal favourites, remastered and edited together into what I consider a cohesive and total listening experience.”

Recoil Selected will be available as a single CD, double pack CD, limited edition 4 x vinyl box plus a limited edition deluxe 4 disc box set which is exclusively available from Mute Bank.

The double CD, vinyl box and deluxe box set features many new remixes and alternative versions, chosen and edited together by Alan Wilder and Paul Kendall, who has worked with Wilder for the past 10 years. The album features a varied selection of vocalists including Diamanda Galás, Joe Richardson, Douglas McCarthy, Samantha Coerbell, Toni Halliday and Maggie Estep.

In support of the album, Recoil has announced details of an Events tour, A Strange Hour with Alan Wilder & Paul Kendall, with dates across Europe and in the US between March & May. Each date promises to be a unique event – with special guests – and these live presentations mark the first time Recoil has ventured out of the studio.

Alan Wilder’s years in the music industry have seen him go from studio assistant to session keyboard player, but it was his 14 years as a member of Depeche Mode where he really honed his skills. With his attention to detail in the studio, Wilder pushed the boundaries even within the restrictive climate of commercial pop. As an antidote to the demands of the Mode, his studio project Recoil was born in the mid-eighties. Two albums were released: ‘Hydrology’ (1988) and ‘Bloodline’ (1990) both giving an indication of his expanding horizons. After his departure from Depeche Mode in 1995, Wilder resurrected Recoil full-time and has since released ‘Unsound Methods’ (1997), ‘Liquid’ (2000) and most recently ‘subHuman’ (2007).

 

Listen:
@Amazon GER

 

Buy:
MuteBank
PopOnaut
InfraRot
MusicNonStop.co.uk
Indietective
Amazon GER

 

Websites:
Recoil
Mute Records

 

out now: Submerge – Black Mamba EP [Mote-Evolver]

 

Artist:
Submerge

 

Title:
Black Mamba EP

 

Label:
Mote-Evolver

 

Cat#:
MOTE016

 

Release Date:
05. April 2010

 

Format:
12″ & digital

 

Tracklist:
01.
Black Mamba

02.
J-XX

 

Press Info:
Luke Slater’s Mote-Evolver stands tall amongst its peers as the labels’ consistently high quality output maintains their current run of form. With standout cuts from scene legends Cari Lekebusch and Ortin Cam still fresh in the memory and a stunning EP of ultramodern techno from Finland’s Samuli Kemppi about to drop, the label is pricking up ears with its varied and highly impactful repertoire.

One of the most exciting new techno artists to emerge out of USA in recent times, Submerge (AKA Orlando Solis) has built his reputation on being an eclectic and innovative producer capable of blending all styles of techno to create his signature sound. Currently drawing praise for his recent 2012 EP on his own Impact Mechanics label, Submerge is flying the flag for a new wave of producers bringing fresh energy and ideas in to the techno scene.

Title track Black Mamba leads off the EP with a bang. Bristling with energy and intensity, this is a standout peak-time cut that combines pounding beats, pulsing acid stabs, futuristic phaser effects, chopped up vocals and a riveting breakdown.

On the flip J-XX shows another side of Submerge?s production palette with its steady, building arrangement making for a more linear vibe. Crunchy beats and swirling effects add a feeling of rawness to compliment the tense powerful groove.

 

Listen:

 

Buy Vinyl:
Juno.co.uk
Deejay.de

 

Buy Digital:
soon

 

Websites:
Submerge
Mote-Evolver