out in May: debut film by Barry Adamson

Artist:
Barry Adamson

Title:
Therapist

Label:
Central Control International

Cat#:
CCI015

Release Date:
16th May 2011

Format:
DVD+CD

CD Tracklist:
01. Main Title
02. A Portrait of Monika
03. Bigger Pictures
04. How Did He Find Me?
05. Monika’s Living Nightmare
06. How Are You Feeling?
07. Glove Touch
08. Aaa Kotki Dwa
09. And Always Will Be
10. A Portrait of Anna
11. Our Father?
12. I Guess That’s Me… Done!
13. The Letter/End Titles

Info :
CCI just announced the exciting news that Barry Adamson’s directorial debut film Therapist, is ready for release.

Written, directed, edited and scored by BA, Therapist is a 40 minute noir thriller starring David Hayman, Ray Fearon, Ofo Uhiara and Iza Sawicka and includes original music by Barry Adamson, Rafael Toral, Gielarek and Antoine Lang.

It will be released in May of 2011 as a DVD and CD Soundtrack set. The first 1000 copies from the Central Control webstore are signed by Barry Adamson.

With more grit and grime than the underpasses of a decaying city, Barry Adamson’s first film THERAPIST (2011) is both the culmination of an artistic dream and the dawn of a new chapter in the artist’s life.

In 1988 Barry Adamson released his first solo album, the critically acclaimed Moss Side Story. Masquerading as a sound track to a film that did not exist, it became his calling card to the world of movie scoring. Now 23 years later having scored several movies for directors such as Danny Boyle, David Lynch and Derek Jarman; Barry joins their ranks of dark noir directors with a fantastic first film that draws upon his unique talents as an artist. Bringing the haunting melodies he is known for to the center of the creative process he integrates chilling chords with highly stylized visual images, resulting in a unique viewing experience that assaults all of your senses.

THERAPIST tells the story of Monika, a Polish immigrant searching for both her sister and an escape from her past. But is her story real or the metaphor for another man’s emotion – a story straight from the therapist’s couch? As the stories build to a uniform climax, we are asked to question the very nature of what we are experiencing, ultimately finding ourselves led further down a blind alley, into a place where memory, fantasy, truth and experience contradict themselves in an endless interplay of shadow and light.

The initial pressing comes as a limited 2 disk edition: THERAPIST on DVD (with bonuses: ‘The Gemini Complex’ featurette and an interview with Barry Adamson) plus the Original Soundtrack on CD. Therapist has been screened at the East End Film Festival, the Brighton Film Festival, Yach Film Festival (Poland) and shown at the Renoir (Curzon) in London.

Barry Adamson, musician and filmmaker was born in Manchester England and left his first year at art school to play bass in Howard Devoto’s Magazine. Five albums later he became a founding member of Nick Cave and the Bad Seeds before going solo and making a series of soundtrack albums scored without actual movies, including Moss Side Story, Soul Murder (which was nominated for the inaugural Mercury Music Prize) and Oedipus Schmoedipus. This work took him into scoring work on movies for Oliver Stone, Alison Anders, Danny Boyle, David Lynch and more, as well as working in TV and on commercials. Adamson then went on to make highly acclaimed vocal, full band albums such as 2008’s Back to the Cat, As Above So Below and The King of Nothing Hill.
BA continues to work as a musician and now a writer – his short story Maida Hell, featured in London Noir, won the Best Short Story award at the Piemonte Noir festival in Italy – as well as a filmmaker.

Trailer:

Special screenings:
On Monday February 7th, there will be also a special cinema screening of Therapist in London – including a Q&A with Barry Adamson. Visit the Curzon Cinemas website (just click here) to order your ticket.

On the 2nd June 8th June there will be an in-store screening at Rough Trade East – plus Q&A with Mr. Adamson.

Small Note:
Barry Adamson also did a remix for the upcoming Grinderman single Palaces of Montezuma (Mute Records, 14th March 2011).

Buy:
CCI store
Amazon UK
hmv.com
musicshop
argos entertainment

Websites:
Barry Adamson
Central Control International

“Therapist tells the story of Monika, a Polish immigrant searching for her sister, who encounters both tragedy and destruction. But is her story real or the metaphor for another man’s emotion, a story straight from the therapist’s couch? A truly metafictional experience, the film, with its looping narrative and world within a world structure, focuses on our experience-as reality and the contradiction between memory, fantasy, truth and the experience of life itself.”
– Annabel Grundy, East End Film Festival.

out now: Josh T Pearson – Last Of The Country Gentlemen [Mute Records]

Artist:
Josh T. Pearson

Title:
Last Of The Country Gentlemen

Label:
Mute Records

Cat#:
STUMM326

Release Date:
14th March 2011

Format:
CD, Vinyl & digital

Tracklist:
CD1-01. Thou Art Loosed
CD1-02. Sweetheart I Ain’t Your Christ
CD1-03. Woman, When I’ve Raised Hell
CD1-04. Honeymoon’s Great! Wish You Were Her
CD1-05. Sorry With A Song
CD1-06. Country Dumb
CD1-07. Drive Her Out

CD2-01. Sweetheart I Ain’t Your Christ (Electric Version)
CD2-02. Woman, When I’ve Raised Hell (Electric Version)
CD2-03. Sorry With A Song (Alternative Version)
CD2-04. Sweetheart I Ain’t Your Christ (Electric Instrumental Version)
CD2-05. Woman, When I’ve Raised Hell (Electric Instrumental Version)

Bonus-01. Woman, When I’ve Raised Hell (Electric Version)

Vinyl-07 Last Of The Country Gentlemen

Track Bonus-01 is digital-only for UK. CD2 is extra stuff for Rough Trade Shop Exclusive bonus disc version is sold out. Track Vinyl-07 is vinyl-only and comes before “Drive Her Out”

Press Info:
Josh T. Pearson’s debut solo album is a collection of seven songs drawn from the lessons of what he describes as “a rough year”; songs that are personal, powerful, painful, songs that move with their honesty, that offer hope from the trials he’s suffered and survived. The songs were recorded in a Berlin studio in two nights, freshly written and committed to tape after Josh saw how they affected audiences when he played them. It is the bravest album you’ll hear in 2011.

But the story of Josh T Pearson begins a decade or so ago, several thousand miles away in Texas. It was there that the Lone Star State native formed Lift to Experience, who would cut a mesmerising double album for British label Bella Union, and perform a slew of live shows that left all who saw them changed – nights when the audience sang like choirs to their ache-laden existential hymnals, nights when their speakers burst aflame in sympathy with the deep portent of the mercurial trio’s music. So beloved by John Peel were they that he had them record three sessions in five months and were included in the Best Peel Sessions of all time.

The Texas-Jerusalem Crossroads, their 2001 opus, came to Pearson fully-formed, the composer following the currents he felt guiding him to deliver what he describes today as “My own teenage symphony to God.” These crossroads were where spirituality and earthly angst collided, where Pearson led bassist Josh ‘The Bear’ Browning and drummer Andy ‘The Boy’ Young to crescendos of symphonic beauty and grand drama. Wholly earnest in their pursuit of Coltrane-esque levels of intensity and transcendence, they declared themselves “The best damn band in the whole damned land (and Texas Is The Reason)” as their sweeping, overdub-eschewing sound swelled to heroic volume. And then everything went silent. Lift to Experience vanished from the face of the Earth, leaving so much promise teasingly unfulfilled.

Josh T. Pearson describes the years that followed Lift to Experience’s dissolution as a period of “soul-searching… Music is really precious – it’s the most precious thing to me, it’s almost too precious to share. I needed to explore the world, discover some things. I just needed to grow up and be a man, you know? And I didn’t want to do that in public.”

Pearson believes a second Lift to Experience album would have brought a success to match the acclaim The Texas-Jerusalem Crossroads had enjoyed. But such a prospect only increased Pearson’s growing ambivalence towards the role of “rock star” his music was seemingly cornering him into.

“Selling some records was probably the worst think that could have happened to us,” he says. “Out there in Texas, where there wasn’t anyone to hear the music, it was like art to me. There were no expectations, so we could do anything we wanted. When it became a commodity, and the idea of money got involved, and the other boys’ livelihoods were resting upon my shoulders, it sort of jumbled my head up.” A series of awful tragedies in the band-members’ private lives convinced Pearson “everything was gone on a road to Hell. If the band had continued, there would be consequences I didn’t want to be responsible for, in terms of souls.”

The group ended, and Pearson retreated as far from any kind of limelight as he could to a miniscule town deep in the heart of Texas where he took odd jobs to pay meagre rent. “I was scrubbing toilets at a church as a janitor, moving hay, doing construction work, for six dollars an hour,” he remembers. “I was volunteering at a Christian retreat centre out there, just helping how I could, fixing things and whatnot. I was making just enough to get by, and having the rest of the time to concentrate.”

In the absence of that second album, internet word of mouth built a legend around The Texas-Jerusalem Crossroads, as the album continued to sell steadily to new fans with no hope of ever seeing Lift to Experience perform live. Out in the desert, however, Josh remained oblivious to his growing cult-dom. He never stopped writing music, he never stopped playing. But his new songs rarely left the bedroom where he’d pen them, and the audiences who heard him play were fellow musicians, amateurs, at guitar circles in town, where they’d strum rudimentarily through old Hank Williams tunes together, finding comfort within those chords and words.

As the decade wore on, Pearson left Texas, living in Berlin and, now, Paris. He would occasionally resurface to perform low-key but rapturously-received live shows, performing new songs and covers that would stoke anticipation that one of a series of unfinished projects might soon be released: a rumoured album of country songs, gospel covers, or the ‘Angels Vs Devils’ songs Pearson debuted during a solo tour of the UK in 2003, maybe.

But expanding his discography was not Pearson’s aim at this moment: “I played guitar live only when I had to, just for scratch, for 50 bucks here and there: ‘Blue collar’ playing, the circuit. I played Hull six times, way off ‘the grid’, to prove to myself that, as an artist, I could convince a room full of strangers that I was ‘the shit’. I say that humbly, with head bowed. I kept their attention with my complete honesty, absolute sincerity, and desperation. The material I was playing was just really painful, just kinda lost, angry stuff. There was an intensity there: this was stuff you don’t usually take out of the bedroom.”

Indeed, Pearson says he might not have recorded the songs that make up his debut solo album, had it not been for the response these songs enjoyed when he played them while touring with the Dirty Three in Ireland in December 2009. These starkly autobiographical new songs, as you can hear, speak with similar honesty, sincerity and desperation. Abandoning Lift to Experience’s widescreen wall of sound, they are sparsely arranged, Josh’s vocals and guitar lent an aching bitter-sweetness by violin accompaniment. Four of the seven songs run longer than ten minutes, because they examine the painful existential tangle of love and loss with a depth and emotional vividness not easily contained by the pop format. They are songs to be lived with and lived through, full of the pain and glory of life itself, searingly communicated by Pearson.

“I wrote these songs right everything within them was happening, singing from my own perspective,” he says, “and played them live on the Dirty Three tour because I thought it would good for me, as therapy, as something cathartic. I wouldn’t have thought of putting them out as a record, but two tough Irish blokes came up to me afterwards with tears in their eyes, moved by the songs… They were just strangers off the street, they didn’t know who the fuck I was, but they were crying. They were really tough on the outside, you could tell they wouldn’t usually do that kind of shit, but they came up and said ‘Thank you’, and let me know how moved by the music they were. And that’s when I thought that maybe it might be important to set aside my own personal feelings and put these songs out there.

“It’s funny, after all this time, to come back and release such a sad, sad record,” Pearson ponders. He’s not listened back to since it was finished, the wounds still too raw, too fresh. Still, he’s rightfully proud of the album. “I wanted it to be a record that, if I don’t put out another one for ten years, then it’s a good enough record to end on. It’s absolutely honest, full of despair. You really have to sit down and listen to it, and it takes something out of you, but it’s worth it.”

Lacerating it may well be, but it’s also the most remarkable album you will hear all year.

Last Of The Country Gentlemen is released on Mute in March 2011.

Free downloads:
The single “Country Dumb” will be the precursor for the album. Get a free paino version at www.joshtpearson.co.uk. Or download an alternative version of “Woman, When I’ve Raised Hell” at soundcloud.com.

Video:

Listen:
soon

Buy:
Mute Store (CD)
Mute Store (vinyl+cd)
Rough Trade (CD + exclusive Bonus-CD)
Rough Trade (Vinyl + exclusive Bonus-CD)
Amazon UK (CD)
Amazon UK (Vinyl)
Amazon UK (digital)
Amazon GER (CD)
Amazon GER (Vinyl)
Amazon GER (digital)
HMV (CD)
HMV (vinyl)
iTunes (digital)
7Digital (digital)
more links soon

Live dates:
23 February: The Slaughtered Lamb, London, UK
24 March: Queens Social Club, Sheffield, UK
25 March: Stereo, Glasgow, UK
26 March: The Workman’s Club, Dublin, IE
27 March: The Deaf Institute, Manchester, UK
29 March: Brighton Ballroom, Brighton, UK
30 March: Bodega, Nottingham, UK
1 April: Purcell Rooms, London, UK
4 April: Comet, Berlin, DE
5 April: Gruner Jager, Hamburg, DE
6 April: Studio 672, Cologne, Germany
7 April: Ponyhof, Frankfurt, DE
8 April: Motel Mozaique, Rotterdam, NL
9 April: Botanique – Witloof Bar, Brussels, BE
14 April: La Carene, Brest FR
15 April: Le Café de la Danse, Paris, FR
16 April: Chapelle Du Conservatoire, Rennes, FR
17 April: La Dynamo, Toulouse, FR
19 April: Le Colisée, Colmar, FR
20 April: L’Hospice D’Havré, Tourcoing, FR

Websites:
Josh T. Pearson
Mute Records

out now: Michel De Hey – Blackbird (incl. Pig&Dan Remix) [Circle Music]

Artist:
Michel De Hey

Title:
Blackbird

Label:
Circle Music

Cat#:
circle030

Release Date:
16th February 2011

Format:
12" and digital

Tracklist:
01. Blackbird
02. Blackbird (Pig & Dan Remix)
03. Haai Jack)

Info :
As one of the internationally most successful techno artists and probably most successful DJs and producers of the Benelux Michel De Hey is well known for his high quality techno sound worldwide. And the founder of EC Records, Hey! Records and Immaculate, where he supported artists like John Digweed, Paul Kalkbrenner, Tom Middleton, Funk’D’Void or Adam Beyer convinced on Circle Music with his linear “Sintrack EP” in 2009 already. In late 2010 he is back with the next outstanding release on Circle Music, “Blackbird” with interesting remixes of Cocoon’s Pig & Dan and Circle Music’s newcomer Daniel Bortz (for the Digital Version)

“Blackbird”:
Michel begins with small but kicking beats paired with a dark rumbling bassline. Fastly some mind grueling psycho sounds combined with sick laughs disturbs any bright mood. Michel, who moreover had a few chart hits in netherland lays the focus on conventional techno atmosphere: dark and hard driving. For this reason the classic techno high hats are a really nice bonus.

“Blackbird (Pig&Dan Remix)”:
Cocoon act and founder of the Sonic Society imprint, the duo Pig & Dan takes it serious. With their well balanced arrangement led by the strong rolling bassline they are bringing some fun back to the dancefloor. With Love Parade like synthesizer sounds and kidding organ stabs Pig & Dan who also released on Yoshitoshi or Boxer in 2010, spread some true spirit on the dancefloor.

“Haai Jack”:
With its fluffy percussions arrangement the track “Haai Jack” is definitely placed in the tech house genre. Exciting sound experiments doesn’t take it too serious with the music by building a curious and entertaining but pumping arrangement. Michel De Hey shows us the self-depreciating side of his music.

Listen:
“Blackbird”

“Blackbird (Pig & Dan Remix)”

“Haai Jack”

Buy:
Juno.co.uk (vinyl)
deejay.de (vinyl)
djshop.de (vinyl)
more links soon

Websites:
Michel De Hey
Circle Music

[Download]: Project Rotten – Remixing The Flesh

Artist:
Project Rotten

Title:
Remixing The Flesh

Label:
Twisted Flesh Recordings

Cat#:
TFR 002 D

Release Date:
2nd January 2011

Format:
free digital download

Tracklist:
01 Embraced By Flames (ES23 Remix)
02 Buried Alive (Say Just Words Remix)
03 Embraced By Flames (Ad Inferna Remix)
04 Nightmares (Say Just Words Remix)
05 Nightmares (Anamadim Remix)
06 Scream (Incubite Remix)
07 The Lust To Kill (Melancholic Version)
08 Desecrating The Dead

Info :
This is a free remix EP from both released and unreleased remixes made by some very talented artists.

Project Rotten and Twisted Flesh Recordings would like to give these remixes to fans and people who have support both the band and the label. Without you nothing we’ve accomplished would be possible. We hope that you will enjoy this release and the artists (Incubite, Ad Inferna, Say just words, ES23 and Anamadim) that were kind enough to make these remixes for us.

Listen & Download:
320 mp3s

Websites:
Project Rotten
Twisted Flesh Recordings

out now: Apparent Symmetry – Mourn (Remixed)

Artist:
Apparent Symmetry

Title:
Mourn (Remixed)

Label:
Abstrakt Reflections

Cat#:
AR_009

Release Date:
27th December 2010

Format:
free digital download

Tracklist:
01. S-Time Lapse (Ambient Re-edit by Furthest From The Cold)
02. Apart From This Life ([haven] Remix)
03. Sunset (Reconstructed by Synthetic Violence)
04. 30mg (Lithium Remix by Radio Salva)
05. Lamentation (Electro Mass Remix)
06. Taken Back (Access To Arasaka Remix)
07. Desert Sunrise (Reconstructed by c0ma)
08. Apart From This Life (Miktek Remix)
09. S-Time Lapse (Amictric Remix)
10. Lamentation (It Was The Sun Remix)
11. Skybending (Erissoma Remix)
12. 30mg (Dissected by eOnic)
13. Looking Through (Tapage Remix)
14. Sunset (Remixed by SE)
15. Taken Back (Undermathic Version)
16. Desert Sunrise (Another Day In Hell Remix by Cellar Door)

Info :
Since the release of Mourn, Apparent Symmetry has been gathering remixes from prolific artists around the globe. Now, this highly anticipated remix album is completed. Featuring remixes by Access to Arasaka, Tapage, SE, c0ma, Miktek, Erissoma, Undermathic, Furthest From The Cold, Synthetic Violence, Electro Mass, It Was The Sun, Cellar Door, eOnic, Radio Salva, [haven] & Amictric.

Photography by jay-long
Artwork by theposthuman
Mastering by Abstrakt Reflections

Listen & Download:
320 mp3s
flac

Websites:
Apparent Symmetry
Abstrakt Reflections